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c. 1445 – May 17, 1510. Italian painter.

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Francisco de goya y Lucientes
A Prison Scene

ID: 44087

Francisco de goya y Lucientes A Prison Scene
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Francisco de goya y Lucientes A Prison Scene


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Francisco de goya y Lucientes

b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828, Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).  Related Paintings of Francisco de goya y Lucientes :. | The Bullifight | Portrait of a Woman | Witches in the Air | As far back as his grandfather | A Walk in Andalusia |
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John Frederick Herring
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Louis Eysen
1843 - 1899 German painter and engraver. His family, which had moved to England in the 1840s, returned to Frankfurt am Main in 1850. He studied wood engraving with Alexander Stix (1819-93) at the St?delsches Kunstinstitut in Frankfurt and later achieved considerable success in this medium (e.g. Glade, 1868; see Zimmermann, p. 9). He was taught painting by Karl Hausmann (1825-86) and was influenced chiefly by contemporary French art. He first worked mainly in Berlin and then in Munich, where he met Otto Scholderer and Wilhelm Leibl, who painted his portrait (c. 1870; Frankfurt am Main, Stedel. Kstinst.). He studied with Leon Bonnat in Paris from 1869 to 1870. In 1873 he settled at Kronberg,
Arturo Ferrari
(Milan, 1861 - 1932) was an Italian painter. Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.






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